Tag Archives: bee blocks

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Based on the classic precision pieced snake blocks, Sarah Ruiz asked us for improv snake blocks.

She pointed us to these two websites as examples of what the classic snake block looks like.

Sarah chose a palette of dark teal (for the arcs), magenta, coral, yellow, and cream. For each color family, we were encouraged to use various hues, and a minimum of two color families per section. We could include any type of straight-line improv piecing, with the only curved seams being the improv quarter circle arcs in dark teal.

After pulling fabric the first section I pieced was this corner section. I had pulled yardage and scraps in the appropriate colors and this quarter circle of magenta was calling to be a corner of one block. I slice and inserted three 1/8" wide skinny strips.

Then I started piecing boxy sections of magentas and corals to be a center section. Since I wanted to use different color combinations in the different background sections, I pieced yellow and cream for one corner.

For the second block I took inspiration from my round robin unit. I created a large wonky strip set wide enough to be trimmed on the diagonal to be the center section of my second block.

Again taking inspiration from my scrap shapes I used a triangular scrap and pieced around it to create the second corner for block two.

Finally, I decided to make another cream and yellow slab for the second corner of block one (below), heavier on the cream this time.

I attached the teal strip to the corner section first. Then I lay the resulting panel on top of the center panel of fabric (2nd photo above). I lined the edges of the corner up about 1/2" inside the edges of the center panel. Then I checked to make sure there was enough fabric in the overlap where I would cut and sliced through both layers at once (using this method) before piecing the curved seam (3rd photo above).

These blocks were such an opportunity to play. I loved choosing different color combinations and deciding on different styles of improv piecing.

It will be fun to see Sarah's quilt top come together. I like the visual interest of the teal arcs not lining up perfectly.

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In January, Elizabeth asked us to make improv plus sign blocks.

Elizabeth provided this graphic with color recommendations (Red, Red-Orange, Pink, Violet, Lavender, White, Dark Green, Green, Yellow) and asked for 9 1/2" plus sign blocks that feel graphic and improvisational.

These felt like potato chips to me. So easy to not just make one.

I let the process of each block inform my decisions for the next block.

In my first block I created a green and yellow strip set to use for one stroke of my block. Before I trimmed it down, I really liked the shape of the yellow sticking out farther than the green.

So for the second block I pieced red and pink strips before making this strip sets. Red was my background for this block so this achieved the feature of the yellow pieces being taller than the pink in the finished strip. (It's a different proportion than the strip set for the first block.)

Following the same process I created a second strip set, leaving a larger center section. I pieced this strip into my red background before making a vertical slice to insert my first strip.

Blocks 1 and 2.

Blocks 3 and 4. In block three, I used a scrap of dark purple leftover from creating block one. And my dark green fabric was a small scrap, so I chose to use that with the dark purple to create the plus. Since these were both darks, I chose a lighter color that I hadn't used yet for the background. The plus is intentionally off center. In block four, I had cut a piece of white fabric as the background for a previous block before changing my mind. So I used that for my background. And my scrap of pink fabric was side enough to cut strips to insert across the entire width of the block. I hadn't used improv curves yet, so I went for a simple two-color block with improv curves.

Overall, I was happy with the variety of my blocks and I enjoyed working in the happy colors that Elizabeth chose for us. And now that I think about it, Elizabeth uses stripes in her work a lot. Maybe there was some subliminal inspiration for my first block. I look forward to see what everyone else creates for the prompt.

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I love an opportunity to play and my monthly improv bee blocks always offer me that chance.

In May, Ellyn selected a happy palette of colors for us to play with. Her theme was Shine. She shared this quote along with her prompt:

"In order for the light to shine so brightly, the darkness must be present."

--Frances Bacon

Together with the theme of Shine, Ellyn asked us to use a variety of saturated sunshiny colors (inspiration list below) with a little Kona Lagoon (a turquoise which she provided) in each block.

Oranges: Tangerine, Kumquat, Orange, Orangeade
Cool Pinks: Bright pink, Candy pink, Sassy Pink, Bubblegum, Carnation, Peony,
Pink
Warm Yellows: Papaya, Sunny, Duckling, Corn Yellow, Canary

Pretty early on I knew I wanted to do something with radiating lines. Then I decided on a ring made of radiating lines. Here's the process on my first block:

My first step was to sew together wedges to make an approximate circle of fabric. I wasn't planning to use the center so I didn't concern myself with everything coming together neatly in the middle. I pressed my seams open (my general preference).

Using templates (not shown) I cut a hole out of the center of my pieced wedges and a coordinating piece of yellow to fill in the hole. Due to the bulk of the pieced seems I pressed this seam to the center. (You'll see that below.)

My next step was to use my template to cut the outer edge of my ring. I drew my templates on the dull side of freezer paper so I could iron the shiny side in place in order to cut my fabric.

You can see above that I cut with 1/4" seam allowance around that template piece. The marks you see were registration marks I transferred to my fabric on both pieces to use for lining things up and pinning in place.

Here's a quick peek of the back at this point. One thing you might notice here is that there are two lines on stitching on that first seam around the center yellow piece. This is because I did a stay stitch on the inner edge of the ring, 1/8" from the edge, before attaching it onto the yellow. I was worried since the ring was the concave edge for the next seam. When sewing curves together the concave piece gets stretched a bit. This stay stitch meant I didn't pop the seams in the ring. The important part of the stay stitch was across the seams, so on the wider strips of fabric I broke the thread so I could do the necessary stretch while sewing that seam.

My final step was to attach the background yellow and trim the block to about a 12 1/2" square.

The second block that I made for Ellyn is composed of improv quarter circle blocks with filler pieces to bring the block up to 12 1/2" square.

I hope you have a sunshiny day!